ON TOP OF THE WORLD

TOP OF THE WORLD ITOP OF THE WORLD IIIThe last day of our workshop dawned bright and clear. Michael took us to the overlook at Friar’s Head. It really felt like the top of the world. We could see across the bay to Lubec and Eastport, and island in between. He could not have chosen a better spot! TOP OF THE WORLD II Pointing out the lovely cloud formations, he chose as a demo to paint a pastel focusing on the fast moving clouds. He began sketching in the main shapes and worked up a value study. FRIARS HEAD I I have learned that this truly is the most valuable part of plein air painting – no pun intended.

Next, he sketched in the main shapes: FRIARS HEAD III All of us watched, enthralled, as he captured the movement of the clouds, almost as if by magic.

FRIARS HEAD V As his painting took shape, I looked around for my subject. There was plenty to choose from!

FRIARS HEAD VIIFRIARS HEAD VIII

Liking the curve of the bay and the reflections on the water, I chose what should have been an easy subject, and began to lay in the masses. Michael said that it takes two people to make a painting. One is the painter and another is the friend with a gun to shoot that artist before they mess up the painting. I needed that second person on this day. I had a beautiful start and I kept on adding detail after detail until I totally messed it up.

FRIARS HEAD XIStill, it was a wonderfully beautiful day, lessons were learned and some good work was accomplished:

FRIARS HEAD VIMichael’s finished painting, Brian’s work in progress, FRIARS HEAD Xand Sue’s beautiful pastel:FRIARS HEAD IX

In such a beautiful spot, it’s easy to remember, it’s the journey!

FRIARS HEAD XII Tomorrow, goodbye to Canada.

 

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